We love Tridents of this era as we learnt on one and there is a familiarity to the sound of that EQ that takes us back to our younger years: the wonderful interaction between the mid and high and that extra bit of presence you get when you push the gain to the edge of distortion. If you have multiple controllers you can save a config for each (or different configs for each) allowing you to switch easily between different configurations of your setup. Once assigned knobs and switches are coloured red and everything’s assigned you can save this configuration. This is an excellent way of building up highly-controllable patches, particularly helpful in live performance where you want to minimise any margin for error. Leave them at 0% and 100% if you want to adjust them over their full range or set a defined range. For continuous controls, there are an extra set of parameters you can adjust which come in the form of a minimum/maximum slider. Then it is a simple matter of clicking on the required knob or button, and either moving a knob or clicking a switch on your controller, and it’s assigned. You simply click on the MIDI icon on the far right of the toolbar and then all assignable controls are coloured purple. Arturia has come up with a very simple and elegant way to MIDI-control its plugs from a controller, and the filters are no exception.
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